After a while, I had done some of the minigames If I have to criticise it, the criticism would be that it is somewhat One level of islands and each new level of islands makes a difference Puzzle attached the pacing is good, so we never get stuck too long at (looking at you, Orchard), and mostly have their own little optional Implementation is as solid as we expect from DiBianca the minigamesĪre well-designed, even if some of them veer towards the irritating Skies Above is a lot of fun, at least for the most part. Most economical assignment of tasks in any given day is going to be. Is based around minigames that all involve timing or sequence and that Skies Above is a time management game, in which you have to figure out what the There are differences with SVT too, the two most important of which are that Skies Above Grind towards a large amount of currency. Locations, limited tasks that can be performed at each of them, and a
#SUPERLUMINAL VAGRANT TWIN FREE#
Giving us a world of free movement between lightly implemented DiBianca has clearly drawn inspiration from Superluminal Vagrant Twin, In a sense, these expectations were met and yet, Skies Above is very different from The Temple of Shorgil. So when I started Skies Above, I was expecting something in the same mould. Bonus points for very solid implementation, secrets to discover,Īnd functional prose. It was a limited-parser puzzle game basedĪround a central puzzle mechanic that is developed in all kinds of Given to understand that it was quite typical of Arthur DiBianca’s I played only one them, The Temple of Shorgil (2018), but have been Arthur DiBianca has been building up a sizeable oeuvre of well-regarded puzzle parser games.
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